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Academism or Academic Art.... 19th century |
Academic art is a style of painting produced under the influence of European academies
or universities popular from the 17th to the 19th century.
Specifically, it is the art and artists influenced by the standards of
the French Académie des beaux-arts, which practiced under the movements of
Neoclassicism
and Romanticism.
Thos who practiced under the movement were usually referred to as academic artists, in
an attempt to synthesize their styles and separate them from lesser trained artists.
Since Academic art is particularly associated with the French Academy, it had a great influence
on the Paris Salons during the 19th century. It also extended to all art influenced
by the European Academies, often meant to refer to artists studied and influenced by the standards
of the Académie des beaux-arts.
The Académie des beaux-arts, was founded in an effort to distinguish artists
practicing a liberal art as apposed to those engaged in manual labor. The emphasis on the
intellectual component of art making had a considerable impact on the subjects and styles of
academic art.
Academic Art was in fashion in Europe from the 17th to the 19th century.
Those who practiced under the movements of
Neoclassicism and
Romanticism, were usually
referred as academic artists, in the attempt to synthesize their styles.
Often times, academic art was also known as called "academism", "academicism", "L'art pompier",
"eclecticism", and sometimes linked with "historicism" and "syncretism".
Bibliography:
L'Art Pompier, Louis-Marie Lécharny, 1998
Art & the Academy in the Nineteenth Century, Denis, 2000
Representatives of Academism in this Directory:
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ALMA-TADEMA, Sir Lawrence |
1835 - 1912 |
Leeuwarden, Holland |
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BAUDRY, Paul |
1828 - 1886 |
Vendée, France |
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BOUGUEREAU, William |
1825 - 1905 |
La Rochelle, France |
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GODWARD, John William |
1861 - 1922 |
London, England |
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ZATZKA, Hans |
1859 - 1945 |
Vienna, Austria |
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ZORN, Anders |
1860 - 1920 |
Mora, Sweden |
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